![]() For instance, hang out on the 1 in an upper octave and occasionally move up the the 3rd above, and you have a recipe for an aggressive rock melody. Last thought is to figure out your target notes that will be highlighted by the melody, and think of all the notes of (whatever) scale as a catalog of options, along with types of melodic movements. Using the b2 is even darker, so I might do that for a really dark feel. ![]() Not specifically related to the scale, but I like the effect of the 808 or bass going to the b3 of the minor scale as a transition, usually on its way to the 4 or 5. The baseline and chords will set whatever mood you create just fine. Don’t get too hung up on it though, and occasionally use the 2 or b6 from the minor scale for extra sauce. I think that pentatonic scale melodies are always a dope starting point.
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